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The 2014 Êzîdî Genocide caused a rupture in the social fabric of the Iraqi religious Êzîdî minority. A search for meaning in the aftermath of violence has caused a group of Şingalî poets to reconstruct memories of the past through their narration in Arabic prose poetry. A narrative analysis has been used on a selection of poems written and interviews conducted with five poets. I investi gate their trauma process through adopting the theory of a cultural trauma, viewing ‘trauma’ from a social constructivist point of view, in an attempt to advance and challenge trauma theory andposition the importance of representation in empowering lost voices. Through reconstructing the past in the present, the poets narrate counter-histories which give access to untold experiences which lie outside the narration of a singular event, but instead comprise of stories of the everyday in which violence is embedded. In recount ing these memories, the poets serve to historicize their suffering while rebuilding the foundation of the collective and relating them selves to wider communities fostering attachments, solidarity and a critical vision for the future.